Wednesday, 25 February 2009
Friday the 27th
On Friday the 27th of February we have decided to go to our location and start organising the first location, then filming the second shot.
Backstory which motivates what happens in our film
The main characters mother saw thirteen different psychiatrists with mental health problems, they were all unable to help her because the illness was so severe. This led her to commit suicide, the main character has never got over this and seeks revenge on all thirteen psychiatrists. Prior to the start of the film he has killed off the first twelve psychiatrists and now he is after the thirteenth.
Monday, 23 February 2009
Feedback 23 February 09
You are getting quite a lot covered but it seems disjointed. Why bother to post so much analysis of Sin City unless you are going to derive inspiration from it? How might its concerns and styling be developed in your work? Remember to use the terminology you learned in Miss Mapp's lessons as you describe your own film-making: angle, shot, movement all have specialist vocabulary. You also need to consider timing: the storyboard you filmed today really should have been uploaded by the end of the double lesson.
Thriller representations in Usual suspect and Silence of the lambs
In silence of the lambs the representaions are experience and gender. Through the opening scene we can see how women are percieved to be less experience. This is shown as the man she talks to in the woods is giving her orders. Then we she goes into the building she is being told to wait by the men in suits standing by the desk. This is showing the mans domenance over the women. Men are also shown to me more powerful than women. When she gets into the elavator you can see how big the men are compard to the women, she looks small and insegnificant while the men look big and powerful.
In usual suspect the representations are masculinity and power. We first see man sitting in the chair is shaking and in old cloths, then we see the wealthy man who is dressed in smart cloths. We know he is wealthy as we see the rings on his fingers and the watch. These are the clues as we can only see his hands and not his face. This man is calm and sitting up straigh while the other man is shaking in his seat. This shows that this man is scared of the other man and fears him showing the man in the dark jackets power over the other man.
In usual suspect the representations are masculinity and power. We first see man sitting in the chair is shaking and in old cloths, then we see the wealthy man who is dressed in smart cloths. We know he is wealthy as we see the rings on his fingers and the watch. These are the clues as we can only see his hands and not his face. This man is calm and sitting up straigh while the other man is shaking in his seat. This shows that this man is scared of the other man and fears him showing the man in the dark jackets power over the other man.
Inside the head of our killer
While working on our thriller we discoverd that we need to find out why this person is killing and if there will be a connection between the people who are being killed. We Have been working on whether this killer is going to have mental disorders like OCD where everything is perfectly straight and the people are all killed in the same way. e.g. All the victims might have their hands tied behind their back.
Then we though that our killer should be a little deeper than that. So we have chosen that the killer is only killing one kind of person. This type of person is a phychiatrist, and the reason this 25 year old man is killing them is because when he was little his mother had a mental disorder and the phychiatrists either did not want to or couldn't help his mother. This lead her to kill herself which the man saw when he was little and this traumatic event has scared the boy and even twisted his mind a little so he know want revenge on these 13 phychiatrists.
Then we though that our killer should be a little deeper than that. So we have chosen that the killer is only killing one kind of person. This type of person is a phychiatrist, and the reason this 25 year old man is killing them is because when he was little his mother had a mental disorder and the phychiatrists either did not want to or couldn't help his mother. This lead her to kill herself which the man saw when he was little and this traumatic event has scared the boy and even twisted his mind a little so he know want revenge on these 13 phychiatrists.
Sunday, 22 February 2009
Sin City - Mise en scene
In the opening sequence of Sin City, I notice that the movements of the characters is minimal. There is hardly any movement of the face in or the upper body in the conversation between the woman and the man. there is hardly any movement in the eyes of the characters either. This creates a mood that makes the audience feel a little uneasy.
The movement of the camera and camera angles is also limited. There is a push in at the line from the woman, 'What do you see in my eyes?'. This shows, as the camera is moving forward, the expressions on the woman's face as he describes what he sees. It shows the audience that she stars to become twitchy and starts to move more whereas before, she was almost completely static. As the push in turns into a medium two-shot, it shows her breathing beginning to get heavier, Ie; her chest moving noticeably more than before.
As the characters kiss, the camera shot turns into a long shot that is in black and white with the view of the city behind them. This gives off the impression of a cartoon strip. This gives another perspective to the audience will open up their minds a little more. It also give emphasis on that it is now raining. The audience may not have seen this before. It also shows emphasis on the wind. This is shown more clearly now than before. You can now see the wind through the movement of her dress, the movement from the front of his trousers and you can also see the wind through the direction of the rain.
As the commentary is going on, and they are kissing, the things that the commentator is saying, is being acted out in the scene. For example, at the line, 'I tell her, I love her', you can see that actors mouth saying, 'I love you' before the flash of the gun going off. and when the commentator mentions the silencer, the charcter shows the gun with the silencer on it.
NOT QUITE FINISHED
The movement of the camera and camera angles is also limited. There is a push in at the line from the woman, 'What do you see in my eyes?'. This shows, as the camera is moving forward, the expressions on the woman's face as he describes what he sees. It shows the audience that she stars to become twitchy and starts to move more whereas before, she was almost completely static. As the push in turns into a medium two-shot, it shows her breathing beginning to get heavier, Ie; her chest moving noticeably more than before.
As the characters kiss, the camera shot turns into a long shot that is in black and white with the view of the city behind them. This gives off the impression of a cartoon strip. This gives another perspective to the audience will open up their minds a little more. It also give emphasis on that it is now raining. The audience may not have seen this before. It also shows emphasis on the wind. This is shown more clearly now than before. You can now see the wind through the movement of her dress, the movement from the front of his trousers and you can also see the wind through the direction of the rain.
As the commentary is going on, and they are kissing, the things that the commentator is saying, is being acted out in the scene. For example, at the line, 'I tell her, I love her', you can see that actors mouth saying, 'I love you' before the flash of the gun going off. and when the commentator mentions the silencer, the charcter shows the gun with the silencer on it.
NOT QUITE FINISHED
Sunday, 8 February 2009
Sin city analysis - Camerawork
At the begining of the film we see a women alone on a balcony while a man is approaching, and narrating as he gets closer. Then we see the characters interacting we know this because we see the 180 degree rule between them. Throught their interaction we see close ups on his lighter and cigarrett, this might be a clue that we should be focusing on his hands e.g what he will do next. This is something for us to look out out for and it builds suspense. We see a close up on them holding each other and then kissing, this shows that they like each other. But as they go to kiss again he shoots her with a pistal while they are holding each other. As the audience we want to know what he is doing and why if he is kissing this lady has he shot her, this is the begining of the mystery.
Next we see the credits and there are images fading in and fading out with close ups. The music is slow as the pictures slowly fade but it gets quicker as the pictures become more promanant. Theres close ups of women, men with long coats and people holding guns to other peoples heads. The pictures gets quicker and the music gets quicker which is building tension. The picture we see suggest violence and evil characters which gives you a little clue of what will happen.
Next we see the credits and there are images fading in and fading out with close ups. The music is slow as the pictures slowly fade but it gets quicker as the pictures become more promanant. Theres close ups of women, men with long coats and people holding guns to other peoples heads. The pictures gets quicker and the music gets quicker which is building tension. The picture we see suggest violence and evil characters which gives you a little clue of what will happen.
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